Looking For Bob Dylan On His 75th Birthday

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Written & Photographed by Kenn Sava (*- unless otherwise credited)

Bob Dylan’s influence is incalculable. It might be a very long time before it can be fully assessed. Meditating on some aspects of it, as his 75th Birthday, (Tuesday, May 24), was approaching, I settled on one aspect of it-

Bob had a lot to do with taking New York City, and specifically Greenwich Village, where he lived and worked, to another level, after he moved here in 1961.

Yes, The Village had a long history of being a Bohemian haven before Bob, going back to the 19th Century, and more recently, the Beats and the Jazz Clubs certainly had begun to do just that, setting the stage for Bob and creating the environment he wanted to be in. Then, of course, the “English Invasion” piled on soon after. But, that was a long time ago. Many people who live here now, or have lived here over the past 50 years have done so, in part, because of what he did. I decided to “honor” Bob on his 75th, Tuesday, by looking for what remains.

“I wish that for just one time you could stand inside my shoes”*

Ok, Bob. I’m gonna try.

So, I headed down Seventh Avenue on the day, looking for any signs of Bob. What I found, or rather didn’t find, will make this a rather short Post.

My first stop was 161 West 4th Street, just off Sixth Avenue, where Dylan lived with Suze Rotolo, his first NYC apartment after being homeless and couch surfing. I lived a few hundred feet away for a year some years ago. It’s changed a lot since even I lived here. Now, “Tic Tac Toe,” an adult novelty emporium is downstairs, where, back in Bob’s day, a spaghetti shop was, with a used furniture store above.

Looking it over from the outside, it sure doesn’t look like much else about it has changed, except the rent. I’m sure whoever is living in Bob’s former apartment on the top floor in the back now isn’t paying the 60.00 a month Bob & Suze did!

From there, I went looking for some of the old clubs that Bob performed at that launched him, and which became legendary in turn. First, I walked by 116 MacDougal Street where both the “Kettle of Fish” (1st Floor) and “The Gaslight Cafe”(in the basement) were. They are long gone. At 105 MacDougal, where the “Fat Black Pussycat” was, where Dylan is reputed to have written “Blown’ In The Wind,” there now stands a Mexican Restaurant. (I found another place called the “Fat Black Pussycat,” on West 3rd Street, across from the Blue Note Jazz Club.)

Left standing is “Cafe Wha?” on MacDougal and Minetta Lane, where Dylan first set foot on a New York Stage (and where Jimi Hendrix was discovered a few years later) on January 24, 1961, the first day he was in NYC1! Cafe Wha? had only opened in 1959, and its original owner only passed away in 2014. I was there last to hear Dave Fields, and it sure didn’t look to have changed a heck of a lot from what it must have looked like in ’61.

I guess I shouldn’t be surprised that almost all of Dylan’s all haunts are now gone- It’s, perhaps, more amazing Cafe Wha? is still here, 56 years later! NYC doesn’t give “landmark” status to clubs, so in a City where its quite an accomplishment to last 5 years, 56 is miraculous.

So, heading out of the Village, without having seen nary a Bob Dylan T Shirt, or anyone selling them, I came across this posted on a window-

DSC_1602PNH

It caught my eye because it’s a play on the title of Dylan’s 1965 song “Positively 4th Street,” that was his first single after “Like A Rolling Stone.” It may, or may not have something to do with 4th Street. Positively 8th Street is a festival that celebrates the history of the Village. Bob Dylan is certainly a part of that- I’d say a large part of it. In this case, this year’s festival had already taken place. Fitting.

So, while his influence is incalculable, the visual evidence of his time here has largely disappeared. After three stretches in Greenwich Village, Bob Dylan moved on, which he has continued to do, incessantly, ever since. Yet, it’s one of the places that remains most associated with him. While his influence is not visible to the naked eye, it lives below the surface. It lives on in the impact his music has had on everyone it’s touched. And, all of us who wish him a Happy 75th Birthday. And many more.

*-Soundtrack for this Post is “Positively 4th Street,” by Bob Dylan and published by Bob Dylan Music Co.

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What I Learned Shopping For Clothes With Magda

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Written & Photographed by Kenn Sava (*- unless otherwise credited)

Those few who actually know me know that I’m pretty much obsessed with women’s fashion (on women), probably as much as I am with Art & Music. I spent a lot of my free time the past 10 years drawing my ideas for clothes and toyed with the idea of starting a line before coming to my senses about how much money it takes to do it right (thanks to my friend Maiya’s experience, who actually did it), and especially, how “stealable” fashion ideas are. It would totally suck to come up with something new and different that some people thought was good only to have the idea stolen by a big company and not have the resources to stop them. I figured I’d need 10 great ideas so I could keep them coming. I also came to believe that fashion should be one to one, as in one of a kind items, which is total financial suicide, unless you are a brilliant tailor, too. I finally decided that if I met the right girlfriend/muse, I might design for her. In the meantime, I’ve contented myself with sharing an opinion, or twelve, when asked.

May 12, 2016, Magda at the corner of West 14th and 9th, the northern boundary of the Meat Packing District, one of her faves, on a beautiful spring day.

So, there I was the other day with my friend, the Fashion Guru & Blogger extraordinaire, Magdalena, from prettycripple.com. Yes, Magda is disabled. She’s in a wheelchair. (I don’t think she knows that, though, so I won’t tell her if you don’t.) We decided to spend a gloriously sunny afternoon in the Meat Packing District, which I will refrain from giving my opinion about, and say that I VERY much miss what it was back in the 1990’s and before. Magda, who hadn’t been there in a while, wanted to see which of her old fave small boutiques were still in business. I was psyched to see what we’d find. Unfortunately, we soon discovered that many of her favorites were no more, and another one, Scoop, is joining them any day.

Sign O’ The Times. Back in the day, Hogs & Heifers was just one of countless bars and nightclubs in the Meat Packing District. There were so many great ones, I actually only went to H&H once or twice. Now long gone, its sign on the wall outside is just about the only vestige remaining of what this neighborhood once was- not all that long ago.

After grabbing brunch, we began perusing, and as she went through the racks we’d compare notes on what she liked. It started out normally enough. At Scoop she got a very nice, reversible hat, which immediately came in handy in the bright sun at a nice discount.

Wait. Sun? Me? Mr. Night Owl? I know. I told Magda I’d “get up early” for our 2:30pm get together.

Ok. She has an eye for a bargain that’s also practical and versatile. No news there. Finally, we wound up at a pop-up type stand a few blocks away. Then things got interesting.  To my eyes, the clothes were a bit over the top, so I didn’t look very closely. They were handmade, though, which is always nice to see, fashion should be one to one. Women are unique, right? Magda agrees. She certainly is.

So, she picked out a blue number and I thought it was over the top but doable. Then, she took things to another level and she lost me. She picked out this top/jacket, and I didn’t say a word.

 

 

I watched. If she had asked me, I’d have said, “No.” But, she was in a zone. She didn’t have to ask. Buying clothes is as much what you’re going to wear with something and I don’t know her whole, amazing wardrobe, only what I’ve seen her wear, and what she wears on her Blog. And, what she was wearing right then. There you see the final result.

She fell in love with it. I fought back my initial reaction and tried to see it through her eyes. This is where going to see a wide variety of Art, or listening to a wide range of Music pays off- you fight off your initial reactions and try to keep an open mind long enough so you can learn something about it. I can’t tell you how many times this has made a big difference for me. Many of my favorite Artists, Composers and Musicians got to me through this process.

Standing there, it was now happening unconsciously. Automatically.

Dinner (and cocktail) time. Her new hat in full effect, doing its job.

Magda wound up buying the piece, which she had immediately loved, (and another), and we left. She wore it out. We parted and I was left thinking about the experience. I woke up today still thinking about it. I see the similarity with how I’ve come to love so much Art & Music.

There are Artists, and people, who are so good at what they do, and/or have a vision, that you have to trust them. You have to, at least, give them the benefit of the doubt. You have to see where they’re going with it, as they say. Try and see it through their eyes. Along the way you may learn, too. Magda has her own style. I’ve known a lot of entertainers, Musicians and Artists who did as well. They were themselves 24/7. My last Post was about one, who I didn’t know. It comes out of their pores. They dressed “differently” than most. They thought differently than most. That’s part of the process of being that creative, and part of what makes them special, and certainly unique.

Magda has that. Magda is more than “only” a “Role Model,” which she most certainly is. She’s a “Roll Model!”

It’s one thing to help someone buy clothes or give them your opinion. It’s absolutely pointless to try and do it with someone who’s a force of nature. Water seeks it’s own level. The winds blow where they will. The rain in Spain falls mainly on the plain. Magda is an Artist, a successful graphic designer with her own company, but Art permeates her life in just about every part of it I’ve seen. So…What did I learn…Be yourself- everyone else is taken. Being around Magda reinforces that for me. It’s liberating being around someone like her who’s so free inside of herself.

So, the message to myself is- At such times? Shut up. And stay out of the way, so you don’t get rolled over!

*- Soundtrack for this Post is “To Me You Are A Work Of Art,” by Morrissey. Thank you, Morrissey. If it wasn’t for you, I wouldn’t have met Magda, and made a friend.

You can follow Magda @prettycripple or on prettycripple.com

NighthawkNYC.com has been entirely self-funded & ad-free for over 8 years, during which 300 full-length pieces have been published! If you’ve found it worthwhile, PLEASE donate to allow me to continue below. Thank you, Kenn.

You can also support it by buying Art, Art & Photography books, and Music from my collection! Art & Books may be found here. Music here and here.

Written & photographed by Kenn Sava for nighthawknyc.com unless otherwise credited. To send comments, thoughts, feedback or propositions click here. Click the white box on the upper right for the archives or to search them. Subscribe to be notified of new Posts below. Your information will be used for no other purpose.

“The Goddess of Line” (For Nasreen Mohamedi)

The Line is True

Perfect

Without Beginning

Without End

It sings the song of Essence

It Frees the Mind

To go where it might

Without Boundaries

Or constraint.

Whether One

Or Many

They Journey

Through their lives

Freed from Time

Freed from Place

Perusuing the Purity of Your Intention

They are all that remain.

The Brush has been set down

The Color has been sent away.

The Pen paints Black

Lines

On White.

The basic form

That doesn’t exist in Nature

Like yours Do,

Oh, Goddess of Line.

Bold

Subtle

Sure

Ordered

Singular

Or In Concert

They Flowed

From your Mind’s Eye

Through Your Hand

From Your Pen

To the Infinite

To That Place where…

We live without form

Or Any constraints.

The Truth Lives without time

or confinement

Free…To Be

What it is.

© April 28, 2016.

Detail from "Untitled" ca. 1980 by Nasreen Mohamedi (Graphite on Paper)

A Detail from “Untitled” ca. 1980 by Nasreen Mohamedi (Graphite on Paper)

This is Part Two of my Post on Nasreen Mohamedi. Part One is here.

NighthawkNYC.com has been entirely self-funded and ad-free for over 6 years, during which over 250 full length pieces have been published. As I face high expenses to keep it going, if you’ve found it worthwhile, please donate to keep it up & ad-free below. Thank you!

Written & photographed by Kenn Sava for nighthawknyc.com unless otherwise credited.
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…And Here’s How It Looked Monday Evening

NighthawkNYC.com has been entirely self-funded & ad-free for over 8 years, during which 300 full-length pieces have been published! If you’ve found it worthwhile, PLEASE donate to allow me to continue below. Thank you, Kenn.

You can also support it by buying Art, Art & Photography books, and Music from my collection! Art & Books may be found here. Music here and here.

Written & photographed by Kenn Sava for nighthawknyc.com unless otherwise credited. To send comments, thoughts, feedback or propositions click here. Click the white box on the upper right for the archives or to search them. Subscribe to be notified of new Posts below. Your information will be used for no other purpose.

The Day Before “The First Monday In May,” 2016

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Written & Photographed by Kenn Sava

“We know what you’all been thinking nude is the brand new yawn
Everybody’s just drinking inhibitions just gone
You don’t need to be rude
You don’t need to be wild
Whatever you do: don’t compromise and done with style
The gold standard crazy amazing
Upper echelon of groove
The gold standard crazy amazing
Turn it up let you body move”*

Here’s how the world famous 5th Avenue facade of The Met (TM) looks right now in preparation for it’s big close up- Monday’s “Manus X Machina” Metropolitan Museum Costume Institute Gala Benefit, perhaps fashion’s biggest night of the year in this country when a who’s who of “stars” and “big names” will be walking through these tents and up the landmark stairs dressed to (hopefully) impress.

T-Manus and counting…It feels like the night before the Space Shuttle was about to blast off, here at The “Cape.”

Even though I’ve written about TM more than just about anything else this past year, and been there 3 times this week alone, of course, I’m not invited, so this is as close as I’m gonna get. Come Monday night? I’d never be able to get even THIS close.

The view behind the grey awning, and under the canopy going up to the front door. Remember celebrities- No sitting is permitted on the stairs between those banisters! Oh, and have your bags ready to speed the security bag check.

Someone’s gonna be busy over the next 24 hours! (If you want to see how busy they were, click here!) Inside the Great Hall, no signs of the impending festivities, yet. Yes, the flower arrangements are always beautiful.

I predicted in this Blog that 1,000,000 visitors would attend “Manus X Machina.” 2015’s “China: Through The Looking Glass” drew 817,000. Apple is sponsoring the show. Taylor Swift is involved. 1M would be great for TM. They took on a large expense with the new (and so far superb) Met Breuer, so I really hope it happens. I’ll be more interested in how good the show is. Andrew Bolton and the Met’s Costume Institute are “The Gold Standard” for fashion shows now, and they’ve raised the bar pretty high.

I’m excited for another chance to answer the eternal question- “Is Fashion Art?” Though I believe the female form is, I haven’t decided about Fashion. I do know that I really love looking at it and trying to decide.

Stay tuned.

In the meantime, it’s time for this year’s “First Monday In May,” If you’re wondering what it’s all about, here’s a peak at what went into it last year-

Ok. It’s time for me to grab my Armani Exchange Tuxedo, It’s time to party!

“24 carrot hashtag, put Ur phone in Ur bag, ain’t nobody got 2
tell U put Ur hands in the air, say “Ow!
The gold standard, crazy amazing, upper echelon groove
The gold standard, crazy amazing, turn it up, let Ur body move””*

*-Soundtrack for this Post is “The Gold Standard” By Prince from his excellent 2014 album, “Art Official Age,” published by Universal Music Publishing Group.

NighthawkNYC.com has been entirely self-funded & ad-free for over 8 years, during which 300 full-length pieces have been published! If you’ve found it worthwhile, PLEASE donate to allow me to continue below. Thank you, Kenn.

You can also support it by buying Art, Art & Photography books, and Music from my collection! Art & Books may be found here. Music here and here.

Written & photographed by Kenn Sava for nighthawknyc.com unless otherwise credited. To send comments, thoughts, feedback or propositions click here. Click the white box on the upper right for the archives or to search them. Subscribe to be notified of new Posts below. Your information will be used for no other purpose.