December 8th, 1980-2020

Written & Photographed by Kenn Sava

Tales from Isolation. Day #322

Two Days In My Life

After my early young adulthood as an Art lover, and before I focused on Art, again, I spent about 15 years in Music. Early on, I was on the road with a band, based out of Miami, Florida, for five years. Towards the end of 1980, things were getting really bad in South Florida, inspiring the TV show “Miami Vice,” which after having lived through the reality, I found hysterical. It got so bad, the word was that there so many murders the only cases that were being investigated were when a cop was killed.

My Axe. My blonde 1976 Fender Jazz Bass. The color darkened from 4 years of playing in smoke-filled clubs, rests on my way worn Gig Bag.

Around this time, we took a gig playing a party in Coconut Grove. Not something we ever did- before or after, but it was for a friend of a friend who loved the band, and we liked the idea. “Hey, I’m having a big party and it would be so great if you guys came and played” kind of thing. He made it worth our while to take our gear off the stage of the club we were house band at on Miracle Mile, so what the heck. It was an afternoon outdoor job, and we were up on a hill looking down over the large lawn on a road between us and a row of houses lining the water. Suddenly, a group of police cars descended on the scene across that road. It was a raid. A drug bust. Then the host/our boss for this gig, came over and said “Keep playing.” When trouble starts in a club or a bar, the boss ALWAYS comes over and says “Keep playing,” (like I imagine the boss did on the Titanic) while everyone else is falling all over themselves rushing to get to the exit. “Keep playing.” Like when a riot broke out in a biker bar we were playing in. But that’s a different story.

My blonde 1978 Fender Fretless Precision Bass. I went Fretless after I met the late, great Jaco Pastorius, the genius of the Bass, and a Fretless player, in 1977.

It’s funny how the guys from the union, the AF of M, are never around at those times- only when someone playing was not a member. We looked at each other, the girls dancing in bikinis in front of us, glanced at our cars parked behind us, and then at the unfolding drama going on across the street in front of us. Don Johnson’s got nothing on me. I’m living vice in Miami. 

If gunplay broke out, we might well be in the innocent line of fire, like too many others, before or since. 

Luckily, it proceeded without bullets, a line of cops escorting suspects emerged, and that was the final scene on a long and eventful road trip, full of  unexpected turns, on my journey into full adulthood. Time to go. It so happens that Paul, a friend in another band I had worked with, called to say he was leaving and moving to NYC. He offered to take my stuff with him if I wanted to get out.  

Hmmmm…After some thought, and discussion with my then girlfriend, a local, I decided to take him up on it and move back. Paul and his girlfriend, who went from being a waitress a few years earlier, to being a member of an internationally known band (not her boyfriend’s) a few years later, pulled up with a large trailer hooked to their car and the three of us loaded all of my belongings into it, and off they went. 

A few days later, I got into my Porsche 914 and drove it from Miami to Orlando and we both got on the AutoTrain. I had made the complete 27 hour nonstop Miami to NYC drive too many times to do it once more. The ride was pleasant enough, though I didn’t get much, if any, sleep, and woke early on Monday, December 8th, 1980. After detraining near Washington, DC, I drove the rest of the 5+ hours to NYC, where the rest of my life would begin.

Shortly after I arrived at my parent’s house I heard the news that John Lennon had just been shot and killed in Manhattan, outside his home at The Dakota. 

WHAT??????!

Bob Gruen, John Lennon- Statue of Liberty, 1974, Magnum Photos.

It was just unfathomable. It still is. Even for someone who lived through JFK’s assassination, and saw Oswald get killed, live, on television. Someone who had heard RFK’s assassination live on the radio. Someone who had lived through the assassination of Martin Luther King. Someone who remembers Malcolm X getting murdered. Murder is not something you ever “get used to.” Murder of such great men, each cut down in their prime, is a crime against humanity.

And murder was exactly why I left Miami!

So began the rest of my life…

December 8th, 2020

I took the C train uptown and got off at West 72nd Street to go The Dakota to pay my respects. Arriving, I was greeted on the platform by Yoko Ono’s transformative Sky mosaic mural. The north side of the station, ironically, is directly underneath The Dakota, where Yoko still lives, I believe1.

Yoko Ono, Detail from Sky, Tile mosaic, West 72nd Street B,C Station, underneath The Dakota, December 8, 2020.

After admiring it and its “Imagine Peace” section, and thinking, “Gee, countless millennia of war hasn’t worked out so well, maybe it IS time to give peace a chance…?,” I headed up the stairs and was greeted by a sky that looked remarkably like the mural.

“…above us only sky…” Exiting the 72nd Street Station at Central Park West, with The Dakota looming on the left, December 8, 2020.

I turned the corner onto West 72nd Street and was greeted by no one. The sidewalk was empty. Down the block, in front of The Dakota, where it happened, stood two uniformed building employees, as usual. I stood for a few minutes on the sidewalk, taking in the scene, and thinking about what had happened 40 years ago today.

The Dakota, West 72nd Street, December 8, 2020.

It almost seemed like I was there on the wrong day. Then, I spotted one small bouquet left by a family.

Across Central Park West, looking into Central Park, I could see a long line of visitors waiting to enter the Strawberry Fields section of the Park, but no one else was here, allowing me a private moment in a place where many people live, but which has always reminded me of this day 40 years ago whenever I’ve passed it.

I walked down the street until I came to the spot. I stood there, briefly, alone with the 2 Dakota staff members.

The Dakota, West 72nd Street, December 8, 2020.

In NYC, particularly in Manhattan, everywhere you look and everywhere you walk, you’re walking on history. And the place is not nearly as old as any city in Europe or many other cities elsewhere. Here is one such spot. Passing it now, you’d have absolutely no idea something horrible and world changing happened right here, because it happened 40 years ago. 40 Years. John Lennon was born on October 9, 1940, during the Nazi Blitz of Liverpool. He had just turned 40 when he died. He’s now been dead for almost as long as he was alive.

My thoughts turned to another fact, as what had happened in all that time raced through my mind. Each and every time something’s happened, like 9/11, and all the rest, sooner or later, I wondered- “What would John Lennon say right now?” In addition to everything else he was, Liverpool’s John Lennon was one of our most prominent, and proud, New Yorkers, and a citizen of the world.

Bob Gruen, John Lennon, NYC, 1974. Magnum Photos. NYC in 1974 is light years from the NYC of 2020. It speaks volumes to me that he was so proud to live here then. This t shirt has been on sale here to this day, probably because of this Photo.

On December 8th, 1980, we were all denied knowing

for the rest of time. 

Now, as I sit here after getting back from West 72nd Street, I’m left to wonder- How would the world have been different? 

If you think that’s a questionable question, consider this- There are some who believe that The Beatles played a roll, perhaps the KEY role, in the collapse of the USSR2, in spite of all the countless billions spent to do it by other means, as seen in the PBS Documentary, “How the Beatles Rocked the Kremlin,” from 2009. A grainy video of Part 1, is below (Part 2. Part 3. Part 4. Part 5)-

If that’s not helping “give peace a chance,”  I’m not sure we’ve seen much else that is. It’s something that needs to be more closely studied, I think. If it’s true, then we’ve VASTLY underestimated the achievement of the Beatles, already the most revolutionary cultural force of my lifetime. And, we’ve completely ignored the lesson.

Even still, there are hundreds of millions who would have been very interested in what John Lennon had to say on any topic had he lived. Like there would have been to hear what JFK, RFK, MLK or Malcolm X would have said had they lived. 

If all of them had lived, I think this world would be quite a different place today. Along with John’s loss, today I mourn that. Again. 

Yoko Ono, Another detail from Sky, Mosaic, West 72nd Street B,C Station, underneath The Dakota, December 8, 2020.

December 8th, 1980 was a day my life, and the world, changed. Neither have been the same since. It’s up to those who remember those we’ve lost to keep their memory & their messages alive.

*- Soundtrack for this Post is “Imagine” by John Lennon.

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  1. I greatly admire Yoko Ono, for many reasons, not the least of which is the supreme grace with which she handled John’s passing publicly. As an Artist, I believe she is still under-appreciated. My pieces on her work to date are here and here.
  2. Here,

On The Beatles…and Sgt. Pepper’s 50th

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Today, June 18th, is Sir Paul McCartney’s 75th Birthday. Happy Birthday, Sir Paul, and many more!

When it came out 50 years ago, on June 1, 1967, “Sgt. Pepper’s Lonely Hearts Club Band” was nothing less than the biggest tsunami in popular Music since, well…”Meet The Beatles.” A defining moment in modern music, splitting musical time into before, and after, it’s aftershocks have been so all-encompassing, it’s hard to listen to most of what’s come after and not hear some of it’s influence.

Though Traffic, the Beach Boys, The Who and the Jimi Hendrix Experience (who’s seismic “Are You Experienced?,” the first album I ever bought, was released on May 12, some 19 days before “Sgt. Pepper’s”) were doing wonderously creative things with expanding the boundaries of rock, nothing else sounded anything like it, really. It cut across genres and audiences. No matter what they had listened to before, everyone listened to it when it came out1. When you think about that, it’s downright amazing given how experimental, even avant garde, quite a bit of it was. “Avant garde” and “experimental” is almost always a ticket to popular failure. Producer Sir George Martin was behind some of it- both technically (managing the recording, and facilitating the Beatles’ ideas ), and musically (doing the string and brass arrangements). Drugs, the expansive cultural, spiritual and musical explorations of The Beatles, themselves, were the rest of it. Still, in spite of all the changes going on, personally, and in the music, the whole thing hung together perfectly- from the opening background noises to the final backward voices, ending the unprecedented, all too real/all too surreal “A Day In The Life.”

It was a product of the moment, becoming the soundtrack for the “Summer of Love,” one that, also, took music a big step forward, and showed us the future.

Sir Paul McCartney performing at Yankee Stadium, July 2011, on his original Hofner “Beatle Bass,” one of the most historic musical instruments in the world. He actually remains under-appreciated as a musician, as are some of his projects, like “The Fireman.” Click any image to see it full sized.

The “concept album” had truly arrived (with all due respect to “In the Wee Small Hours,” by Frank Sinatra, 1955, a staple over here at the NHNYC.com offices, “Pet Sounds” by the Beach Boys, released May, 1966, and a few others). As a result, to this day, when you put it on, I think it should be listened to it all the way through.

Now, with the release of the new 50th Anniversary “Deluxe Edition” Box Set, things are getting complicated. So, I need to specify what I mean by “it”- Listen to the 13 songs on the original album all the way through. Which brings me to what I feel is a little bit of a problem. The new “Deluxe Edition” is NOT (I feel) the best way to experience Sgt. Pepper’s for the first time. With all due respect to Giles Martin, who has (partially) remixed Sgt. Pepper’s for the Deluxe Edition, mixing his version from the original 4 track tapes. See footnote 2 for more details on this2 After a listen to the new mix, I prefer to stick with the original mix.

Giles’ Dad, Sir George Martin, was one of the greatest Producers in the history of recorded Music. You could make a very strong case and say he’s The Greatest, but I don’t believe comparing creativity, or creative people. In any event, his mix ain’t broke. Don’t “fix” it. I don’t think the “sonic upgrade” of the new stereo mix is that big to sacrifice something that was an integral part of the finished album, like this part of George Martin’s contribution was3. It was something he created WITH The Beatles. You’re dealing with master tapes that were recorded in 1967. There’s only so much that can be done to “improve them” sonically, and those come with tradeoffs-

Questionably “better” sound quality vs. losing some of the original experience, and, most importantly, the Artist’s intentions.

Sir Paul performs “Something,” on a Ukulele given to him by George Harrison.

Frankly, for those reasons, I prefer to stick with original mixes of just about every album ever made, and as reissues pile up, they get harder to find- you have to know what you’re looking for4. As a producer? I wouldn’t want anyone else messing around with my mix, and I was no Sir George Martin. “Technological advances” are a mixed blessing, bringing good and bad. Just ask anyone who prefers Lp’s to CD’s. (I’m not saying I do.)

Finally, the Deluxe Edition comes with a lot of extras. There are a seemingly infinite number of Beatles’ outtakes that have circulated among fans and traders over the years, and while many of them are fascinating, if you haven’t heard the original album, wait until you have it memorized before listening to them. The “Making of” Doc, included with the Deluxe Edition, sounds fascinating. I’m sure the book is good, too. All in all? It sounds like a supplement to having the original recording. NOT a replacement for it.

“Hey, Sir Paul! What do you think of the new Sgt. Pepper’s Mix?”

In all of this, I have not seen any mention of the involvement of Sir Paul and Ringo (who were directly involved with the original, of course, with due respect to Yoko and the Harrisons) in it. And, I haven’t been able to find out what Sir Paul thinks about the new mix. His website has him only commenting on the passage of time re: “Sgt. Pepper’s” 50th, but I found this comment critical-

“It’s crazy to think that 50 years later we are looking back on this project with such fondness and a little bit of amazement at how four guys, a great producer and his engineers could make such a lasting piece of art.”

I think that tells you all you need to know. He includes Sir George Martin and engineer Geoff Emerick, as part of the creative team5.

“I’m fixing a hole where the rain gets in,
And stops my mind from wandering
Where it will go.”*

I believe the integrity of all of their work should be respected, and preserved.

But? With the passing of time, there’s no way I’m going to win that fight. There’s too much money aligned on the other side in reissuing records- just beware of anyone who tells you it’s “new & improved.” This, unfortunately, goes on in Art, too. After Artists pass away, increasingly their estates are continuing to issue/reissue their work. I have very mixed feelings about this. I’ll go to Photo shows and see “recent prints” that just aren’t up to the level of the quality of prints made by the Artist during their lifetime. This hurts the Artist’s reputation, in my opinion. In music, we now stand at the precipice of whatever will be done regarding Prince’s unreleased Mt. Everest of material. If you don’t think that’s going to materially impact his legacy, think again. Quick- How many albums did Jimi Hendrix release during his lifetime6? I feel for any new listener to his music faced with the dauntless task of looking through the list of COUNTLESS albums with his name on them, which are STILL being released 47 years after his death, and trying to find them.

The message in all of this? Buyer beware. Luckily? After 50 years? Most people already have “Sgt. Pepper’s.” So? On the 50th Anniversary (month) of it’s release put it on and give it a listen. All the way through. It’s an Album. Remember them?

Many since have tried. There’s still nothing like it.

Finally? When all else has been said…Think about this for one minute…

How HARD is it to connect with even one person who becomes special in your life? I still marvel that The Beatles FOUND each other!

Never in the whole history of Western Music (1200 a.d. to 1900) have two musical Geniuses collaborated before (as far as I know).

J.S. Bach was too busy raising 10 sons (each of whom became a noted, or great, composer), writing, rehearsing AND performing a new cantata each week, performing his regular church duties, and writing the rest of his incomparable music to collaborate with Handel. Mozart and Beethoven? Never happened. Brahms and Schumann? Nope. Brahms and MRS. Clara Schumann…? Romance doesn’t count. This is a 20th Century phenomenon. George & Ira Gershwin…Bernstein & Sondheim…Miles Davis & John Coltrane…Miles & Wayne Shorter…My list may be different than your’s. Here you have John Lennon & Paul McCartney, two of the very greatest songwriters in the history of Music. Alongside them? George Harrison, no slouch (and continually under-rated) himself. Heck…Who WOULDN’T be “under-rated” next to those two? I often wonder what George must have felt (from time to time? often?). On the one hand he had people wanting a “better lead guitarist,” his friend, Eric Clapton, perhaps, to replace him in The Beatles. On the other hand, he was lucky to get 1 or 2 songs on each Beatles album, NO MATTER how good his songs were! (Witness the then unheard of THREE Lp set he released soon after The Beatles split, “All Things Must Pass.” Talk about being “pent up!” “Within You, Without You,” was his song on “Sgt. Pepper’s.”) But? He was the “perfect” guitarist for The Beatles, as Ringo was the “perfect” drummer for them. That the four of them found each other?

It’s miraculous, in my book.

If you don’t think so? Point out to me the LAST time this happened in any of the Arts.

The Beatles were a gift from the Universe.

*- Soundtrack for this is “Fixing A Hole,” by Lennon & McCartney, from “Sgt. Pepper’s Lonely Hearts Club Band,” and published by Sony/ATV Music Publishing LLC.

On The Fence,#8, The Birds & The Bees-tles” Edition.

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Written & photographed by Kenn Sava for nighthawknyc.com unless otherwise credited. To send comments, thoughts, feedback or propositions click here. Click the white box on the upper right for the archives or to search them. Subscribe to be notified of new Posts below. Your information will be used for no other purpose.

  1. Myself included, and I wasn’t into The Beatles until “Strawberry Fields Forever” was released, on February 13, 1967, as a single, presaging “Sgt. Pepper’s”
  2. Sgt. Pepper’s was recorded on 4 tracks, which is astounding when you think about that today. In 1995, my version of “Strawberry Fields Forever” was recorded on 48 tracks. The Beatles would fill up 3 of the 4 tracks, then mix those down to the open 4th track. Then they’d repeat the process until they had filled all four tracks (I’m simplifying. There was more “bouncing” of tracks to open up other tracks involved.), the resulting tape was then mixed down to a final, stereo two track Master, which is what the records were made from- both in Stereo, and yes, in Mono. Both of those have been reissued, in the “Complete” Stereo and Mono Boxsets, and I prefer them, at the moment, among the recent incarnations of The Beatles albums.
  3. Giles Martin also did a 5.1 mix. You’re on you’re own there, since his dad didn’t do one, as far as I know. I have not heard it as yet.
  4. For example- Try finding the original mixes of Miles Davis’ Columbia albums, some of the greatest and most important music of the century, on CD. It’s hard. Early, now rare, Japanese import CD’s had them. Most likely you have to go back to the Lp’s for them, but make sure they’re vintage.
  5.  They did a Q&A with him about Sgt. Pepper’s BEFORE the Deluxe Edition was announced, here. Also, Pepper’s recording engineer Geoff Emerick said he “hadn’t heard it”, the new mix, in an interview
  6. The answer is 3 studio Lp’s- “Are You Experienced?,””Axis:Bold as Love”, and “Electric Ladyland,” and 3 live albums- the other 2 of which, besides “Band of Gypsys,” I’m not sure how much he had to do with.

Artist Megumi Igarashi Asks “What Is Obscenity?”

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Written by Kenn Sava

In Japan, creating and distributing plans to print a 3-D vagina apparently is.

CoverNH

Given the millennia long history of nudity in Art,and the very conservative(?), somewhat hypocritical, laws in Japan about exposure of “certain parts” of the body, it was only a matter of time until this happened. Well? She has. Megumi Igarashi (aka Rokudenashiko or “good for nothing girl”), self styled “Manko (Vagina) Artist,” has been in the thick of it since her latest arrest in 2014. Early in May she was found guilty of “obscenity electromagnetic recording medium distribution” and fined 400,000 yen, about 4 grand.

“When she’s young we kill her will to be free
While telling her not to be so smart we put her down for being so dumb”*

I’ve been watching her trials (figuratively- “Japan’s view of pussy is really weird,” she says, and unfortunately, literally) with both fascination and shock. Now that her book “What Is Obscenity?,” has been released (as seen above from Koyama Press) it’s obvious that whatever obscenity is? Her work isn’t it. Just released, copies are scarce. Her “Free Manka”  T-Shirts  are sold out as well. A movement is beginning here- “Manko positivity.” Needless to say, I support her in her quest for Artistic Freedom.

But wait. A “Vagina Artist?” Yes, that’s right. She makes molds of hers and casts them into sculptures, toys and even, a kayak, which she sailed on a river in Tokyo. Tsk tsk, young lady. Depiction of human genetalia is illegal in Japan- used Artistically, or not. I’ve long been fascinated by Japan, for a lot of reasons, a trip there a while back only served to increase, but this is one that makes me wonder- “Why did this take so long to happen?”

"Better cover up, my dear, or we could be in jail in Japan." Durer c.1504 The Met

“Better cover up, my dear, or we could be in jail in Japan.” Durer c.1504 The Met

From what I’ve seen of her new memoir, which is done in graphic novel (manga) style, she answers a lot of questions, though not that one, and raises many more. It looks to be well done. Not “resting on her laurels,” she is also trying to turn her cartoon character “Manko-chan” (i.e. “Miss Pussy”), seen here on her blog, into a pop culture icon. I wouldn’t bet against it.

Oh! About that hypocrisy? As Jon Stewart and others have pointed out, Japan has an annual festival each April devoted to the penis called the “Kanamara Matsuri” (“Festival of the Steel Phallus”), where penises abound on the streets in the forms of sculptures, veggie carvings and even lollipops. Here, you can see Ms. Igarashi actually posing with one. That picture speaks 400,000 words. It says it all. So far, for her endeavors depicting vaginas, Ms. Igarashi has been in jail twice.

Personally? The only “obscenity” I see here is in the double standard.

*-Soundtrack for this post is “Woman Is The Nigger Of The World” by John Lennon and Yoko Ono from “Some Time In New York City.” Published by Universal Music Publishing Group and Downtown Music Publishing and Sony/ATV Music Publishing.

NighthawkNYC.com has been entirely self-funded & ad-free for over 8 years, during which 300 full-length pieces have been published! If you’ve found it worthwhile, PLEASE donate to allow me to continue below. Thank you, Kenn.

You can also support it by buying Art, Art & Photography books, and Music from my collection! Art & Books may be found here. Music here and here.

Written & photographed by Kenn Sava for nighthawknyc.com unless otherwise credited. To send comments, thoughts, feedback or propositions click here. Click the white box on the upper right for the archives or to search them. Subscribe to be notified of new Posts below. Your information will be used for no other purpose.

Yoko Ono & Linda McCartney- Out Of The Long And Winding Shadows

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Written & Photographed by Kenn Sava (*- unless otherwise credited)

In NYC there are so many shows going on at any given moment, it’s often possible to find strange, not so strange, and/or enlightening connections among the completely randomly scheduled Art Show bedfellows, and I love exploring them! Recently, there were shows of the Art of two of the Beatles spouses up at the same time- with a show of the work of Linda McCartney, and her and Paul’s daughter, Mary McCartney’s photographs Uptown at the Gagosian Bookstore Gallery, and a double show of 3 new works by Yoko Ono in Chelsea (the same 3 pieces were on view in 2 galleries). To boot, she also took out a full page ad in the Village Voice this past week…about crying.

CCI16012016_6PNH

Village Voice, January 6, 2016

When I was a kid Asian women, not named Anna May Wong, were seen as quiet, demure, even submissive by most people in the West.

Then along came Yoko Ono on the arm of John Lennon.

“Every man has a woman who loves him
In rain or shine or life or death
If he finds her in this lifetime
He will know when he presses his ear to her breast”*

At first, she seemed quiet, too. She was omnipresent. She appeared to be John’s shadow. But that was mostly because we weren’t familiar with her Art. Most people still aren’t. They took one listen to her music and that was as far as they went.

Art has long been the Beatles “dirty little secret.” People forget, (or would like to), that Paul McCartney paints, John Lennon drew, and had attended the Liverpool College of Art, and both of their famous spouses, among others not famous, are established Artists in their own right. People seemingly didn’t want to know about anything other than the Beatle’s music. Yet, even a casually close look at the Beatles accomplishment shows they were eternally trying to push the envelope creatively. They aspired to “more” than pop music. Just listen to “I Wanna Hold Your Hand,” and “Strawberry Fields Forever” back to back. They aspired to be Artists, and they succeeded more than any other “popular music” group in history, though not in everyone’s mind. Their more “chancier” creations, like the film “Magical Mystery Tour,” which was years ahead of it’s time, got mixed, even bad reviews. Many didn’t get George’s interest in Indian music, and on and on. It was almost like people were saying “shut up and play yer guitar,” to quote Frank Zappa.

Yet all the while, these two Beatles women kept at their craft and followed their own creative voices. Think it’s an accident two Beatles married them? Think again.

In the case of Yoko- She received a lot of  denigration, and worse, from a public who have virtually no experience with the kind of Art she makes, on top of the abuse she received for being “the reason” the Beatles broke up (as absurd as that was). It often seemed like John was one of the few who appreciated her creativity during his lifetime,

“Every woman has a man who loves her
Rise or fall of her life and in death
If she finds him in this life time
She will know when she looks into his eyes”*

It’s already 35 years since John tragically left us way too soon. Still, Yoko has not only survived that horrid death, and all the rest I just mentioned, and carried on, continuously, with her art, her music, her messages, and being her indomitable self.

Artists gonna Art, I say. Her stature continues to rise.

I think she’s one of the most courageous Artists, and women, of our time. Sure, having money no doubt helps, but I bet she still would have kept on keeping on and made her own way, as she was doing before she met John. I bet John would agree and that’s part of why there was “John & Yoko” to begin with.

Linda’s work is well known, well respected and rightly so. Along with Annie Liebovitz, she was one of the first important female rock photo-journalists, even before she became Mrs. Paul McCartney. Oh, yeah…She got a fair bit of grief about that, too. Then, he put her in Wings! HA! (Sing it with me now- “Every woman has a man who loves her…”, above.) Some of her most well-known photos are on display, and available for purchase at prices up to 10,000.00. Right along side are her & Paul’s daughter, Mary’s photos, which are entirely unknown to me. If they had taken down all the title cards, removed the iconic shots among Linda’s, and you walked in without knowing which work was by who- Linda’s or Mary’s, you’d never know. That’s how amazingly symbiotic the eyes of the two photographers are. They see as one.

 

Linda & Mary & Brian & Keith & Kate & Paul

Walking out, and I say this with nothing but respect, it really felt like Linda had never passed away. That her work continues. I’ve never seen anything quite like it.

In Chelsea, Yoko’s 3 works (“Stone Piece,” “Line Piece,” “Mend Piece”), with the overall title “The Riverbed,” are beautifully conceived, and largely left to the viewing public to realize. Yes, that’s right- you get to help Yoko realize her Artwork. How cool is that? Her notes say-“RIVERBED is over the river in-between life and death…” I’ve reproduced the rest-

IMG_3372P

Line Piece.

Entrance to “Mend Piece,” with work table and display shelves inside.

It reads- “Someone, somewhere in the world loves you”…”It’s me.”

Parts of the Earth, Mended, with Love.

I watched people lose themselves interacting and creating with the materials provided- string, nails, hammers, scissors and rock in one room at each show, and a pile of broken china, glue, tape, markers on a table with chairs in another room at each location. The participants were of all ages, sexes and races. The shelves for “Mend Piece” in both galleries were stocked full of “reconstructions.” The string “webs” of “Line Piece” were so intricate that they required careful stooping and straddling to navigate the rooms. I came away feeling that Yoko is leaving a legacy among the young, like the Beatles did. This is in addition to the legacy she is creating as an Artist, a female Artist at that, and as a person.

Also, in these shows, she’s breaking down the walls of “What is Art?” and letting everyone in. Art lies in the idea. The Artist is the person realizing it. As such we are all capable of being Artists. And? Art can heal- yourself, even the world!

How beautiful is that?

John Lennon is STILL proud of her. Hopefully now, finally, the rest of us know how right he was about her.

Since she signs everything “I love you,” which is always nice to hear, I’ll reciprocate, since she probably likes hearing it, too-

I love you, too, Yoko.

There…a little piece of the Earth mended. With Love…and Art. Imagine…

*-Soundtrack for this post is “Every Man Has A Woman Who Loves Him” by Yoko Ono, from Double Fantasy and published by Sony/ATV Music Publishing Co.

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